Sunday, October 21, 2007

Surreally good parrot.

Proving that Surrealism does not have to be all about lobster-phones and graable, faable, definitaable, Spanish master Joan Miro throws in a touch of parrot (bottom off-centre).

The painting is called Collage, it was painted in 1929, and it's in the Musee d'Orsey.

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